Agatha Christie's Poirot: The Hollow [A&E]

 

Do you know what your children are watching?

By WADE GOSSETT

I think we can all agree that by far the best cinematic adaptation of Agatha Christie's Hercule Poirot novels and short stories has been the 1989 British TV series with David Suchet as the Belgian detective. The series has seen at least three interruptions since then, and it is confusingly available from two DVD labels, A&E and Acorn.

Along with "Five Little Pigs," "Sad Cypress" and "Death on the Nile," the 2004 television episode of "The Hollow" marks the most recent incarnation of Suchet as Poirot. This particular DVD seems to be available only through A&E (at least I couldn't find it listed on Amazon or any other retailer). Suchet is older than his 1990's incarnation and his mustache seems different -- smaller and not as thick, but still impressively greasy and ostentatious. Furthermore, the familiar music and introductory art deco sequence from the earlier episodes is gone, and this DVD is strictly barebones -- not only there are no extras, not even a proper menu, and the cover is a generic A&E graphic.

No matter. The story's the thing, as well as the acting, direction, etc. All the things that make any entertainment compelling are here -- besides the emphasis on extra features is becoming rather obnoxious since piling on deleted scenes and interminable pseudo-documentaries on every DVD release is now an absolute necessity. I actually applaud A&E for going the minimalist route.

So, to the story: Poirot is spending a weekend in the country, when his neighbors, Lady Lucy Angkatell (a very well preserved Sarah Miles) and Sir Henry Angkatell (Edward Hardwicke, who was Watson to Jeremy Brett's Holmes), invite him for dinner, and then lunch. Spending the weekend with the Angkatells are several of their relatives: A brilliant but philandering doctor, his dumb and much-put-upon wife, his sculptor mistress and a cousin who's in love with her, another cousin who's in love with the cousin who's in love with the sculptor who's the doctor's mistress, and a butler with an odd sense of duty. Also showing up is a famous and sultry (and rather slutty) actress who was once in love with the doctor. Murder is inevitable, and the victim is obvious and so is the murderer -- or perhaps not.

I thoroughly enjoyed this one, although Christie aficionados will guess the solution about half way through. No matter. The direction is crisp (by Simon Langton, veteran director of "Jeeves and Wooster" and "The Scarlet Pimpernel" British TV series), Suchet is always reliable, and Sarah Miles here is a hoot, as the apparently eccentric hostess who may not be as ditzy as she seems.

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