Death and the Maiden [New Line]

 

Do you know what your children are watching?

By ETHAN CUHULINN

Based on Ariel Dorfman's eponymous play, director Roman Polanski has created a powerful drama that maintains its theatrical pedigree (i.e. lot's of dialogue) without sacrificing suspense. Indeed, "Death and the Maiden" can easily be described as a mystery and a psychological thriller.

The story takes place in an unnamed South American country which has apparently only recently shed its authoritarian past. Sigourney Weaver is a survivor of that past, having been abducted 15 years earlier and tortured and raped by a doctor who was working for the authorities. Suddenly, she thinks she may have found the man responsible (an oily Ben Kingsley). How far does she go to prove it to herself and to her up-and-coming lawyer husband (played by Stuart Wilson)? Does she torture the doctor in turn? And what sort of revenge is appropriate? Will she be satisfied just to know -- and to know how and why anybody could be this cruel? Or is revenge a synonym for just punishment?

Watching the film I found myself vacillating constantly, one minute I was convinced Kingsley was the torturer. A minute or so after I was full of doubt. On one hand I felt retribution was necessary. On the other, I felt that actually knowing who her torturer was could a proper resolution in itself.

Any film that does not provide easy answers to difficult questions is quite worthwhile as far as I'm concerned. Note though, that the material, since it deals with torture, is sometimes difficult to watch.

Technically, the cinematography by Tonino Delli Colli is wondrous, adding to the tension -- the setting is a coastal house by a cliff during a storm, an ominous location by any criterion, although much of the action takes place indoors. The film is presented in 1.85:1 anamorphic widescreen, and the transfer is clean and blemish-free. The sound is in its original Dolby Digital 2.0 stereo, and has not been remixed for 5.1.

The supplemental features are disappointing though: They consist entirely of five theatrical trailers ("for Death and the Maiden," "Bitter Moon," "Invincible," "Storytelling" and "Human Nature") and a web link to New Line's website.

Still, I recommend the DVD since the film makes for a very powerful experience.

¤ buy it


VIDEO OPTIONS

Widescreen

 

Full Screen

Subtitles


AUDIO OPTIONS

 

Dolby Digital 5.1

 

Dolby Surround

Stereo or Mono

 

Multiple languages


SPECIAL FEATURES

 

Commentary tracks

 

Featurettes

 

Deleted scenes

Trailers

 

Filmographies

 

Music videos

 

Games

 

DVD-ROM features

 

Other features


Ask us about exclusive sponsorships


©  Critics Inc. All rights reserved. See Terms of Use.

 

AMAZON.COM