Evelyn [MGM]

 

Do you know what your children are watching?

By DEBORAH NICOL

The problem with creating a movie around a true story is that there are many pitfalls. Embellish the truth too much, and get skewered by the fact checkers. Leave the tale too dry, and loose any audience appeal. Take a time of difficulty and add sappy ideas such as "angel rays," and the next Lifetime channel's story of the week has been made. The latter is the peril of "Evelyn."

Family law became a battle ground in many Irish homes of the 1950s, when a non-widowed single parent could not raise his own children. Children were ripped away from their parents and shipped off to Catholic orphanages as ordered by the state. When Desmond Doyle's wife runs away to Australia with another man, he is left with their three kids and little money to support them. As he attempts to attain a steady income and be rid of his drinking habit, he befriends a barrister and forces him to take the challenge of the case. With no luck in the lower courts, their only choice is to take it to Ireland's Supreme Court. The oldest child, Evelyn (author of the original book), becomes the media darling with her father's treasured curls and wisdom beyond her years.

An odd little cast (Pierce Brosnan, Aidan Quinn, Julianna Margulies and Stephen Rea) hams it up with quaint little jokes and laughs usually reserved for the frozen shot at the end of a sitcom. As Brosnan and Quinn's characters passively fight over Margulies, the loser chuckles off the loss as if she were merely the last piece of a cake. The dialogue includes gems in the vein of, "Oh no, you don't mean the Supreme Court!" and a lot of "aw, geez" attitude. It is a shame that such a terrible and fascinating example of church versus state has been treated so lightly.

Though the DVD is filled with extras, like the movie, they prove not very interesting. Along with trailers, a photo gallery, and a soundtrack spot, are the options for commentary by the director or Brosnan and the producer. Two featurettes are included, the first of which provides entirely too much screen time to a bored Brosnan discussing the details of getting the project off the ground.

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