Gloria [Columbia]

 

Do you know what your children are watching?

By PAUL BRENNER

John Cassavetes, like Orson Welles, was a filmmaker who wore his independence like a purple heart. His films were totally, tenderly, tragically anti-Hollywood. And yet, also like Welles, as an actor, Cassavetes willingly embraced the most poisoned and purple Hollywood hackwork. And also like Welles, Cassavetes as a filmmaker had buried deep in his pineal gland a hope to crack Hollywood as a commercial director.

For Welles, it was "The Stranger" and "The Lady From Shanghai." For Cassavetes, "Big Trouble" and "Gloria." But the maverick status of Welles and Cassavetes rendered them both incapable of Hollywood filmmaker hackwork and their commercial filmmaking attempts deposited those films in a limbo world.

Columbia/Tristar Home Entertainment has now released "Gloria" on DVD for a demonstration of the above. As an extended chase gangster film, with Gena Rowlands as tough-talking dame Gloria Swensen ("patterned after Gloria Swanson") on the lam from the mob with an obnoxious six-year-old kid in tow (he screams at Gloria at one point, "I hate you, you stupid person. You're a pig."), Cassavetes has his tongue planted firmly in his cheek. It is certainly Cassavetes's most action-oriented film and also his funniest. How can it be otherwise with lines like "I've got my gun. It's nothing to me to blow somebody's brains out. I just hope it's someone I know." But most of the film is embedded firmly in Cassavetes Land with hotel room conversational rambles and pent up and explosive emotional outbursts. Only this time, the outbursts are sometimes accompanied by a gun blast. And Cassavetes's bemusement shines through every frame. As Gloria shouts, "Hey! Just don't be phony. I hate that!"

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