King Lear [A&E]

 

Do you know what your children are watching?

By FRANK BEHRENS

While Shakespeare's "King Lear" has fared very well on audio recordings, it has never quite been done entirely satisfactorily on video. The ancient Orson Welles telecast version is cut to the bone, the "Lear" from the complete Thames Television series is done all in close-ups, the Paul Scofield film has barely a third of the text, while the version with Laurence Olivier is by far the best. Now A&E has issued the 1974 "King Lear" from Thames Television that is quite watchable but not without flaws.

For starters, one-third of the text is missing, as the production notes explain, due to time limitations. The sets are obviously studio sets but pleasant to look at, if a little too nice for pre-Christian Britain. The text is clearly read, except for the usual incomprehensible ravings of Edgar when he pretends to be mad. The acting is all of a more-than-adequate to quite good standard—but never does any of it rise to greatness.

The main problem is the strange interpretation of the title role by Patrick Magee. He plays his first two scenes in an almost comatose fashion, as if holding things at a low boil until his "big" moments on the heath. But when those moments come, he is still underplaying and at this point I realized this was as dramatic as he was going to get!

Patrick Mower, who is featured in a bonus interview on this DVD, generates some heat as the villainous Edmund, especially with Lear's evil sisters, Regan (Ann Lynn) and Goneril (Beth Harris), both of whom are attractive enough to make it all credible. Ray Smith plays a stolid Kent and Ronald Radd a somewhat subdued Gloucester. The rest of the cast, as I said, are pretty good, several of whom are not even credited at the end.

So while the Olivier version is by far the best choice, this A&E offering deserves a viewing, mostly because of the clarity with which the lines are spoken.

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