Laurel & Hardy [Artisan]

 

Do you know what your children are watching?

By FRANK BEHRENS

Not since Prince Hal played straight man to John Falstaff around 1595 did a thin/fat comedy team so catch the public's funny bone (to mix metaphors) as when Hal Roach decided to team two comedians rather than a "normal" and a clown. And so the team of Laurel & Hardy was born and their style of comedy helped create many classic shorts and feature films, along (such is life) with several clinkers. Then came a new age and a new world war, and more in-your-face teams like Abbott and Costello took over, only to yield before the even more frantic efforts of Martin and Lewis.

The comedy of L&H is distinguished by its leisurely pace, one that those brought up on Warner Brothers cartoons might find far too slow for their taste. For example, there is that classic of mutual destruction, "Big Business," in which aggressor alternates with victim as each stands patiently by watching the other destroy a car on one hand and an entire home on the other.

Having all their shorts and feature films on tape, I was delighted to find that Artisan Home Entertainment is distributing the Hallmark DVD "Laurel & Hardy," wherein we find one feature, two 3-reelers and two 2-reelers.

While "Way Out West" might be the team's best feature, "Sons of the Desert" is a very close second. This 1934 classic, much disliked by women because of the stereotypical wives (Mae Bush and Dorothy Christie), concerns about the men attending a Chicago convention (anticipating "The Honeymooners" by a few decades) while they are supposed to be in Honolulu. A cameo appearance by Charlie Chase almost puts the two in the shade as he gives us the typical obnoxious conventioneer.

"The Music Box" (1932) actually won an Academy Award. It is concerned for two of its three reels with the boys getting a large music box up an endless flight of steps --this is decidedly a theme and variations film -- and in the third they try to get it into the house and out of the crate. A classic study in frustration, helped by Billy Gilbert's famous bluster.

"Another Fine Mess" (1930) has Laurel in drag for a good deal of this "hiding from the cops" offering and the charming Thelma Todd helps enormously to set up a few lines considered quite risqué back then. Veteran Jimmy Finlayson, L&H's favorite foil, does his thing as the owner of the home taken over by our heroes.

"Busy Bodies" (1933) is my personal favorite. Happy to have a job at a carpentry plant during the depression, the two proceed to demolish their work area, nearly kill a fellow employee and their boss, and cut their car in half! In this one, their foil is the diminutive but aggressive Charlie Hall. No real plot but lots of laughs.

I could have easily substituted for "County Hospital" (1932) several other gems, but this is a good example of misjudgment in execution of an idea that might have looked good on paper. Confined to a bed with a huge cast on one leg, Hardy is visited by Laurel, who predictably causes havoc when he uses the counterweight (that is keeping Hardy's leg in the air) to crack a walnut. The second half suffers from terribly obvious back screen projection, although the final sight-gag is pretty good.

So thank you Hallmark for this digitally restored DVD, and please give us as many more as you possibly can. And do not forget the silent shorts, which are very difficult to find on DVD or on tape.

The bonus features include a short appreciation of the L&H films, shots of the Hal Roach studios, and printed biographies.

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