The Man With The Golden Gun [MGM]

 

Do you know what your children are watching?

By NICK ZEGARAC

"The Man With The Golden Gun" (1974) is Roger Moore's second outing as 007, and something of a letdown after his meteoric introduction in Live & Let Die. After receiving a golden bullet marked with his double-o number, Bond is relieved of all duties and asked by his superior, M (Bernard Lee) to disappear for a while. Instead, Bond plots to stake out Francisco Scaramanga (Christopher Lee) -- the man with the golden gun. Unbeknownst to Bond, Scaramanga doesn't really want him dead. The bullet was actually sent to Bond by Scaramanga's girlfriend, Andrea Anders (Maude Adams, in her first appearance in a Bond movie). Unfortunately, Bond realizes that Scaramanga's intentions to annihilate the world through harnessing a destructive solar device have brought him full circle in his original mission; that of recovering an experimental Solex converter that was stolen from British intelligence.

The film is justly famous for several fantastic set pieces, including a three sixty mid-air roll over car stunt, another featuring a car that turns into a plane, the novel staging of two funhouse sequences, and, the climactic showdown on Scaramanga's island, in which a miniature model of the doomsday device appears remarkably full size -- even under today's scrutiny in special effects. The film is also notable for pintsize Bond villain, Nick Nack (Herve Villechaize, of Tattoo fame on television's Fantasy Island). The Bond girl on this occasion is the largely forgettable, Mary Goodnight (Britt Ekland), a vapid flaxen-haired bubblehead to whom the concept of zero refrigeration goes unnoticed until a complete thermal meltdown of the island is imminent.

MGM/UA's DVD is disappointing. Colors are dated and faded. Contrast levels appear a tad low. Fine details are lost in a barrage of age-related artifacts and digital anomalies including edge enhancement and pixelization. Blacks are rarely deep or solid. Whites are more of a pasty pale yellow. The audio is mono and strident. There's not much to recommend either the picture or sound elements. Extras include two documentaries, an audio commentary, some promotional junkets, stills gallery and theatrical trailer.

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