The Martian Chronicles [MGM]

 

Do you know what your children are watching?

By WAYNE KLEIN

Rock Hudson. And a future populated by people who wear ill-fitting leisure suits. These are the things science fiction nightmares are made of. Although it wasn't intended to be a camp classic full of stilted dialogue, inane acting and plain stupid moments, "The Martian Chronicles" is at times precisely that. British producer Charles Fries did make an earnest attempt to adapt Bradbury's novel for the small screen. But working with a strict budget, a limited roster of actors and a poor excuse for an optical effects house, prevented this project from achieving everything it could have.

Somehow, a talented writer (Richard Matheson) and an average director (Michael Anderson) managed to turn Ray Bradbury's classic novel into a rundown bargain basement version of an epic. Many people (including this reviewer when he was younger) liked parts of this miniseries. Surprisingly, those few strong moments still have resonance, chiefly because of the source material and an occasional performance worth noting.

On DVD the miniseries is broken down into its original three-part presentation running at just under 5 hours. It's like the Energizer Bunny on downers -- it keeps going on and on and on and on, ad nauseam.

Rock Hudson plays Col. Wilder who sits in a chair that looks like a reject from "Star Trek: The Next Generation" and watches as Mission Control puts two ships over two years in harm's way by sending them to a Mars populated by aliens that have the ability to project whatever anyone wants to see. Hudson plays the role as if he is comatose. Although Hudson had a limited range as an actor, he did exceedingly fine work in "Seconds" and "Giant" among many other films. My guess is that he realized he had gotten himself into another fine mess and decided to become part of the set decorations.

The first hour of this "epic" wobbles along but is still sturdy enough to have some emotional power. When the first expedition's astronauts are murdered by a jealous Martian husband, a second is send. When they land it appears they're on Earth twenty years in the past. The commander (Nicholas Hammond, in a smart, nicely textured performance) suspects something is rotten on Mars but gets sucked into the illusion when he sees deceased loved ones from his own past. This single segment is the most successful and Anderson's direction gives it added power with his careful use of optical effects to only enhance what is necessary.

The second successful sequence also in the first part involves Col. Wilder and a third crew (Bernie Casey and Darren McGavin among them) who go to Mars to discover the fate of the previous missions. When Casey's character discovers the havoc that humanity has wrecked on the Martian civilization he goes native, attempting to kill his crewmembers. Again, the optical effects are sparingly used and the acting carries the day for the most part.

The amateurish optical effects (this was done in 1980 and they look like they were done in 1950) undermine some of the more involved sequences set on the Red Planet. They're not just bad, but laughably bad. The production design, though, is outstanding and the location photography (it was shot in Malta and on soundstages in England) along with some strong performances from Fritz Weaver, Roddy McDowall, Maria Schell and others allow the awkward episodes to be pretty easily forgotten. The make-up effects are actually quite impressive given the time.

My favorite of the latter part of the series involves a story about the return of a son who was killed years before. His mysterious reappearance doesn't spook the family. Instead, they welcome this stranger that looks, talks and acts like their son even though they know it couldn't possible be him.

If you enjoyed the original miniseries be prepared for a shock. "The Martian Chronicles" doesn't hold up all that well twenty-four years later but there are fleeting moments that hint at the missed potential of this "television event." Hopefully, someday, someone will actually tackle Bradbury's metaphorical tale the way it should be done. In the meantime, if you long to revisit your television past, one could do a lot worse than "The Martian Chronicles."

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