Paradise Now [Warner]

 

Do you know what your children are watching?

By DEBORAH NICOL

It is hard to seek alternative solutions when all you have known is the struggle and the fight. Director Hany Abu-Assad brings to the screen the everyday in Palestine for two grown men, best friends in life and death together.

The film begins with gentle humor. Said (the strongly emotive Kais Nashef) and Khaled (the enthusiastic Ali Suliman) argue with their boss and tease each other – this could take place anywhere. But as they head to their respective homes, friends that have stopped by must stay the night because the road has been blocked and there is great personal risk in travel – this is no longer anywhere. This is Palestine, and these men's names have come up for the next suicide mission in Tel Aviv. Without question, without thought, this is a great honor for them. They know their fate, and barely say goodbye to their families, though the pain becomes evident as they create their martyr tapes (which will later be available for purchase at the corner store).

Khaled enters the mission as a child heading to a birthday party, with much excitement. Said carries with him the personal reason of renewing his family honor, and therefore he has not allowed himself to doubt the effectiveness of the continual eye-for-an-eye guerilla method behind centuries of war between Palestine and Israel. That is, until he befriends Suha (Lubna Azabal in a careful execution of her role), the daughter of the great martyr Abu Azzan. Though she is well respected for this lineage, she constantly questions killing the other side and subsequently accomplishing nothing.

As the men prepare for their attack, they are shaved to look like settlers and prayed over to bless the operation. As they partake of a great final meal, a quick shot clearly reenacts The Last Supper. The setup seems so unintentional that perhaps though it is the intention of these men to truly sacrifice themselves for their oppressed people, their mass murder could not truly accomplish their goal of equality. So many men before them have done the same – at what point do the actions achieve success? Or are they aware that paradise on earth is impossible, and simply wish to quicken their journey to the paradise of the next life?

Abu-Assad accomplishes a great deal in this clean yet multi-layered film. It is not necessary to add an Israeli viewpoint to this story, as the Palestinian characters struggle with their actions and the consequences. In their martyr videos they clearly state their pre-written reasons, but it is the women who must live with their decisions. As they slowly loose husbands and fathers and sons, they are left to question the effectiveness of the fight. No matter what the mindset or reasoning on the other side of the border, clearly the answer to their problems has not been discovered. The people are still suffering, the borders are still fighting, and they have given up any idea of discussion. Perhaps this film will create that necessary dialogue.

The only DVD extra is a trailer and language options.

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