The Sea Hawk [Warner]

 

Do you know what your children are watching?

By NICK ZEGARAC 

Pitted against "The Adventures of Robin Hood," director Michael Curtiz's "The Sea Hawk" (1940) is probably the second greatest Errol Flynn swashbuckler of all time. It stars Flynn as Geoffrey Thorpe, a Robin Hood-esque pirate, robbing the wealth of the Spanish fleet for the sake of merry ol' England. Of course Thorpe's threshold for pillage and plunder is put to the test when he discovers the rapturous royal, Dona Maria Alvarez de Cordoba (Brenda Marshall). Overwhelmed by her beauty, and now, technically his personal property through acquisition, Thorpe discovers that love will not be persuaded at the point of a sword. To ingratiate his honorable intentions, Thorpe makes a gift to her by returning the royal jewels he had previously stolen. Naturally, when the ship docks in England, Queen Elizabeth (Flora Robson) is none too thrilled that her most enigmatic scallywag is contemplating retirement for true romance. To break his interests in Dona Maria, Liz sends Thorpe on a mission which inadvertently makes him a prisoner of the Spaniards.

"The Sea Hawk" showcases Flynn's flair with a sword at its very best in some genuinely visceral bouts of action that continue to hold up under the scrutiny of today's cynical film critic. Both wildly engaging and tenderly poignant, it's easy to see why women swooned over Flynn at every turn -- both on screen and in his private life. Donald Crisp, Claude Rains and Alan Hale turn in wonderful supporting performances that lend an air of thrilling sophistication to the proceedings. The screenplay by Seton I. Miller, and Howard Koch effortlessly glides the action and melodrama to a fevered and power-driven pitch, pitting good against evil in a manner that never renders the conventional plot twist as contrived or out of date.

Warner's DVD is a rather nice looking one. The grayscale has been handsomely rendered with deep solid blacks and overall clean whites. Occasionally minor age-related artifacts crop up, but nothing that will distract from the overall enjoyment of this classy, classic swashbuckler. The audio has been very nicely cleaned up. Background hiss is slightly detected during quiescent moments, but again, for a film of this vintage it is to be expected and, on the whole, ignored. Truthfully, this is a very fine film transfer that, although hinting a signs of age, never allows for the scrutiny to rival or dominate one's overall enjoyment of the film itself. "The Sea Hawk" as both film and DVD transfer, comes highly recommended.

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